From
Hammond Deggs Music:
Extra, doesn't "really" give you extra voices on your synthesizer. But it can sound like it! It does this, by having 2 or 3 "voices" for each user oscillator, that cycle through as new notes are played. Due to the way voices are assigned though, you can only ever sustain up to 4 of these, if you have sustain enabled. In addition, as the user oscillators were never intended for this, you will likely run into some un-intended artifacts, some of which though can be purposed into features. Typically, for an initial set up, it's reccomended you start with the filter wide open, and the AMP eg set to 0 attack 0 decay, full sustain and full release. We will use the envelopes on the user oscillator, which can be adjusted as such:
Shape : Adjust the 'decay' time
Shift-Shape : Adjust the 'attack' time
One particular caveat to note however, is that currently user oscillators stop executing once it's 'voice' has closed it's AMP eg. So, if your oscillator was in the middle of it's own EG phase, it will pause, and resume once that voice's analog AMP eg has retriggered.
Another caveat applies to filter EG, where if a multi-oscillator 'voice' is still decaying but the minilogue voice itself is re-triggered, the filter will open up for all of the 'voices' playing on that multi-oscillator - but you can use this to an effect much like on a traditional paraphonic synthesizer.
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