I'm a sound designer who has several commercial soundsets available for synths from Sequential, Moog, Arturia, Korg, Oberheim, Behringer and others. I've participated on the beta test team for Arturia and Groove Synthesis, and consulted with some other hardware and software synth developers. Check out my commercial soundsets listed below the free patches, or go to my Sellfy store for more details on my soundsets: https://sounddesign.sellfy.store/
I have done a lot of research into the topic of Vintage Voice Variances (aka Voice Modeling) on classic Analog Poly Synths, and published many of my findings on the https://www.VoiceComponentModeling.com website. I have been an advocate for manufacturers to improve vintage voice modeling capabilities on modern synths, and been involved in many discussions over the past five years with manufacturers and the synth community. The Sequential Vintage Knob uses methodoligies like I have been advocating for, and I have directly worked with the Arturia development team as one of their Beta testers, and helped to curate their Analog Accuracy controls in Firmware 2.0 of the PolyBrute. I collaborated on the beta team for Groove Synthesis 3rd Wave as well, to help design and curate their circuit drift algorithm. In addition, I have discussed the topic and offered suggestions to several other software and boutique manufacturers as well. Over the past three years, a variety of VST developers and hardware manufacturers have added vintage voice variance controls to their synths.
I'm also the creator of this site, PresetPatch, which is the largest free patch sharing community in the world.
Here's some of my other projects:
https://www.VoiceComponentModeling.com
http://www.MusicSpiral.com
http://www.M1D1bot.com
http://www.PolyMageSynth.com
https://www.ConscioCentric.com
Commercial Patch Banks or Sound Sets |
 | 128 new patches for the Prophet Rev 2 focused on vintage voice modeling, advanced motion patches, binaural stereo stacks and famous song tones. |
 | 128 Patches using Vintage Voice Modeling (VCM) techniques to emulate vintage poly synth character. Lots of classic and modern patches, plus many famous song and cinematic patches. |
 | This bank of 128 patches uses voice component modeling (VCM) techniques to give the DeepMind classic vintage character. |
 | 128 custom patches focused on paraphonic motion, paraphonic MonoPoly-style arpeggios, and mod interval sequences that can be played up and down the keybed in any key. Also a few dozen core bass, synth and lead sounds. |
 | Two soundsets (128 total patches) with classic/vintage and modern tones for songwriters. Sound Set 1 is focused on Bass, Lead and Classic Synth sounds. Sound Set 2 is focused on Strings, Brass, Keys, Plucks, Organs and Paraphonic Patches. |
 | 128 patches using an advanced modulation technique to give voice-by-voice offsets for classic analog synth character and acoustic instrument patches. Patches modeled off of measurements taken from several synths: OBX, OBXA, CS80, Jupiter 8, Polysix, Pro |
 | 100 new patches focused on the hybrid analog capabilities of the 3rd Wave. Lots of famous songs, vintage synth sounds, binaural stacks, and modern analog designs. |
 | 128 new patches for the Take 5 Synth, focused on vintage Prophet style patches, famous song patches and modern sound designs. Wide variety of bass, synth, keys, strings, pads, leads, arps an more. |
 | 32 custom patches inspired by a variety of famous songs and artists, including Pink Floyd, Rush, Radiohead, New Order, Boards of Canada, Snarky Puppy, Daft Punk, Nine Inch Nails, Pfunk, The Cars, Steven Wilson, Lyle Mays, and several others. |
 | 32 custom patches inspired by a variety of famous songs and artists, including Pink Floyd, Rush, Radiohead, New Order, Boards of Canada, Snarky Puppy, Daft Punk, Nine Inch Nails, Pfunk, The Cars, Steven Wilson, Lyle Mays, and several others. |
Video Demos, Tutorials or Reviews |
 | This video explores the third oscillator on the Sequential Pro 3 Synthesizer. For a complete list of wavetables, check out: https://www.presetpatch.com/articles/Sequential-Pro-3-Digital-Wavetable-Oscillator |
 | This video is a technical overview for Sequential Pro 3 Synth Owners - it shows the shape modulation capabilities for the two VCO oscillators on the Pro 3. |
 | The Sequential Pro 3 delivers a wide variety of bass tones, with the three great sounding VCF filters. It features a Moog Transistor Ladder style filter, an Oberheim SEM 2-Pole style state variable filter, and the Prophet OTA 4-Pole filter. The Pro 3 |
 | In this tutorial I run through a patch design using the Arpeggiator, Paraphonic Mode and Modulation Sequencer to design some complex arp patterns. |
 | Over the past few months, I've designed about 50 new Paraphonic Motion patches on the Pro 3. This video is a demo/preview of a dozen of them. The Pro 3 has three LFOs, four envelopes, the 4x16x16 sequencer and a gigantic 32 slot mod matrix -- it's incre |
 | Noodling around with the Pro 3 and a RC-300 loop pedal / TR-8S to test out some sound design. |
 | This video takes a look at the note sequencer section of the Sequential Pro 3 Synth, and the variety of controls for real time beat making and mangling. |
Famous Song Sound Design |
 | This is a synth patch design for Rush's Subdivisions poly synth sound. It was originally done on a vintage Oberheim OB-X. This patch design has vintage voice modeling designed in. |
 | This is a synth patch design for Van Halen's famous "Jump" synth sound. This patch design has vintage voice modeling designed in, to give it vintage Oberheim style character. |
 | Take On Me is one of the quintessential 1980s MTV generation pop hits. The main synth riff line was originally done on a Juno 60. |
 | This is a synth patch design for Nine Inch Nails "Closer" bass synth sound. |
 | This is a synth patch design for the classic Polymoog Vox Humana sound, like used by Gary Numan and others. This patch design has vintage voice modeling designed in, to give it vintage character. |
 | This is a synth patch design for Boards of Canada's "ROYGBIV" synth bass sound. This patch design has vintage voice modeling designed in, to give it vintage character. |
 | This is a synth patch design for The Cars' Let's Go Sync Lead synth sound. This patch design has vintage voice modeling designed in, to give it vintage Prophet style character. |
 | This is a synth patch design for Adam Holzman's synth lead sound on Steven Wilson's Regret #9. This patch design has vintage voice modeling designed in, to give it vintage Moog character. |
 | This is a synth patch design for an M83 Outro Mega Pad sound. This patch design has vintage voice modeling designed in, to give it extra analog character. |
 | This is a synth patch design for Journey's Separate Ways synth sound. This patch design has vintage voice modeling designed in, to closer emulate the Jupiter 8 character. |
 | This is a synth patch inspired by Radiohead's "Everything In It's Right Place". |
 | This is a synth patch inspired by the Journey's "Separate Ways". |
 | This is a synth patch inspired by Prince's "When Doves Cry". |
 | This is a synth patch inspired by Prince's "1999". |
 | This is a synth patch inspired by Rush's "Subdivisions". |
 | This is a synth patch inspired by Pink Floyd's "Shine on You Crazy Diamond". |
 | This is a synth patch inspired by one of the synth lead sounds from Pink Floyd's "Dogs". |
 | This is a synth patch inspired by MUSE's "Uprising". |
 | This is a synth patch inspired by the MUSE's "Undisclosed" plucks. |
 | This is a synth sound inspired by the Harold Faltermeyer's "Axel F" lead sound from Beverly Hills Cop. |
 | This is a synth patch inspired by Europe's "Final Countdown". |
 | This is a synth patch design inspired by Daft Punk's "Robot Rock". |
 | This is a synth patch inspired by the synth lead sound from Rush's "Tom Sawyer". |
 | This is a synth patch inspired by Tears for Fears "Everybody Wants to Rule the World". |
 | This is a synth patch design inspired by Radiohead's All I Need synth bass sound. |
 | These are two synth patches inspired by The Cars' "Drive". |
 | This is a synth patch inspired by the M83's "Outro". |
 | This is a synth patch inspired by Thom Yorke's "Dawn Chorus". |
 | These are two synth patches inspired by Michael Jackson's "Billie Jean". |
 | This is a synth patch inspired by the Stranger Things Intro. |
 | This is a synth patch design inspired by the synth lead sound on the Cars' "Just What I Needed". |
 | This is a synth patch design inspired by one of Richard Wright's synth sounds on Pink Floyd's "Welcome to the Machine". |
 | This is a synth patch design inspired by one of Richard Wright's lead sounds on Pink Floyd's "Dogs". |
 | This is a synth patch design inspired by Nine Inch Nails synth bass sound on "Closer". |
 | This is a synth patch design inspired by Adam Holzman's synth lead sound on Steven Wilson's Regret #9. |
 | This is a synth patch design inspired by Geddy Lee's synth lead sound on Rush's "Tom Sawyer". |
 | This is a synth patch design inspired by on of the arpeggio sequence sounds on New Order's "Blue Monday". |
 | This is a synth patch design inspired by the synth sync lead sound on The Cars' "Let's Go". |
 | This is a synth patch design inspired by Bernie Worrell's classic Parliament synth bass sound on "Flashlight". |
 | This is a synth patch design inspired by the synth arpeggio/sequence in Rush's "Vital Signs". |
 | This is a synth patch design inspired by the bass sound on Radiohead's "All I Need". |
 | This is a synth patch design inspired by the Boards of Canada bass synth sound on ROYGBIV. |
 | This is a synth patch design inspired by one of Richard Wright's lead sounds on Pink Floyd's "Shine on You Crazy Diamond". |
 | This is a synth patch design inspired by Nena's synth bass/lead sound on 99 Luftballoons (99 Red Balloons). |
 | This is a synth patch design inspired by Daft Punk's synth sync lead sound on Robot Rock. |
 | These are two synth patch designs inspired by Harold Faltermeyer's "Axel F", coming from the Beverly Hills Cop soundtrack. |
 | This is a synth patch design inspired by the famous Vox Humana synth sound often associated with Gary Numan's "Cars". |
 | This is a synth patch design inspired by the Gary Numan's "Are Friends Electric". |
 | This is a synth patch inspired by Dr. Dre's synth sound on Ain't Nuthin But a G Thing. |
 | This is a synth patch for Boards of Canada's ROYGBIV synth bass sound. |
 | This is a synth patch inspired Queen's I Want to Break Free. Original was played on synth, by Fred Mandel. |
 | This is a synth patch is for The Cars' Let's Go sync lead sound. |
 | This is a synth patch inspired by Rush's Tom Sawyer Lead Synth sound. |
 | This is a synth patch inspired by Nine Inch Nails' Closer Synth Bass Sound. |
 | This is a synth patch inspired Parliament's Flashlight Bass Synth tone (Bernie Worrell). |
 | This is a synth patch inspired by Lyle Mays' Ocarina Wind Lead Synth sound. |
 | This is a synth patch inspired by Pink Floyd's Shine on You Crazy Diamond synth sound. |
 | This is a synth patch inspired by Nena's 99 Luftballons (99 Red Balloons) bass synth sound. |
 | This is a synth patch design for Harold Faltermeyer's famous Axel F Lead sound. This patch design has vintage voice modeling designed in. |
 | This is a synth patch design for Harold Faltermeyer's famous Axel F Bass sound. This patch design has vintage voice modeling designed in. |
 | This is a synth patch design for Alan Parson's "Sirius" synth sound (aka: The Chicago Bulls Anthem). This patch design has vintage voice modeling designed in, to give it vintage character. |
 | This is a synth patch design for Europe's "The Final Countdown" synth lead sound. This patch design has vintage voice modeling designed in, to give it vintage character. |
 | This is a synth patch design emulating Lyle Mays' famous Ocarina Wind Lead type of synth sound. This patch design has vintage voice modeling designed in, to give it vintage character. |
 | This is a synth patch design for Muse's Uprising synth lead sound. It uses stacked layers and vintage voice modeling. |
 | This is a synth patch design inspired by Pink Floyd's Shine on You Crazy Diamond. This patch design has vintage voice modeling designed in, to give it vintage character. |
 | This is a synth patch design inspired by Peter Gabriel's Sledgehammer sound. This patch design has vintage voice modeling designed in, to give it vintage character. |
 | This is a synth sound design for Led Zeppelin's "In the Light", using a split in bi-timbral mode to emulate both the low drone and melodic lead sounds in a single patch. |
 | This is a synth patch inspired by Led Zeppelin's "No Quarter" from Houses of the Holy. The patch is a Rhodes Electric Piano style sound with phaser effect. |